Jerusalem – Ritmeyer Archaeological Design

Palatial Mansion publication

A palace fit for a High Priest

My friend and colleague Hillel Geva, director of the Israel Exploration Society and editor cum publisher of the Jewish Quarter Excavations in the Old City of Jerusalem Conducted by Nahman Avigad, 1969-1982, sent me a copy of Volume VIII of this important series. Hillel is to be congratulated on the preparation and publication of this beautiful volume which sets a high standard of how excavations should be studied and published.

The cover photograph of Vol VIII shows Hillel sitting at right near the bathroom of the Palatial Mansion. The mosaic floor of the bathroom was decorated with a colorful rosette. The residents would have enjoyed the spectacular view of the Temple Mount and the Mount of Olives in the background.

This Volume VIII describes the excavation of the archaeological remains of the Palatial Mansion, which, as suggested by Avigad, may have been the Palace of the High Priest^[1]. This mansion may have been built by Annas who was High Priest from 6-15 AD, as he was one of the few people who could have afforded to build such a large and lavishly decorated residence. The family of Annas was very wealthy as they controlled the Temple Market that was set up in the Temple Courts and out of bounds for normal moneychangers. Josephus called one of the sons of Annas “a great hoarder of money”.

This building covers 600 square meters and is one of the largest residences dating from the Second Temple period ever uncovered, not only in Jerusalem, but in the whole of the country. This mansion is located on the eastern edge of the southwestern hill which slopes down to the Tyropoeon Valley. Overlooking the Temple Mount, it would have been considered prime real estate in the 1^st century AD, as indeed it is today.

In the first chapter of this magnificent volume, Hillel describes the stratigraphy and architecture of the Palatial Mansion in great detail. The structure is built on two levels, each consisting of two stories and has many rooms built around a central open courtyard. The walls of several of these rooms were decorated with fresco and stucco designs. Seven rooms had mosaic floors, three of which were decorated with colorful carpets.

The floor of the vestibule of the Palatial Mansion was decorated with this beautiful mosaic design. It had a central rosette surrounded by circular and square frames. Pomegranates can be seen in the corners between the round and square designs. This reconstruction drawing was made for a model of the mansion that was exhibited for many years in the central courtyard.

Eight mikva’ot (ritual baths), catering for the purification requirements of the residents, were found in the mansion indicating that the complex was occupied by priests who served in the Temple.

The mosaic floor in front of the double entrance to a mikveh. Photo: Leen Ritmeyer.

After making the publication drawings and studying the architectural remains, I made this new reconstruction drawing to give an overall idea of what the mansion may have looked like:

A perspective reconstruction drawing of the 6,500 sq. feet (600m2) residence dating from the Second Temple period and found in the Jewish Quarter excavations in Jerusalem. Known as the Palatial Mansion because of its unusually large size, it is now part of the restored Herodian Quarter. Its overall plan, centred round a paved courtyard, makes it clear that it was one living unit and was not divided into smaller residences. A narrow street ran along its northern side.
The sumptuousness of its fittings makes it worthy of the term “palace”. It contained eight ritual baths, one evidently built to serve a number of people with one door for entry and one for exit as seen in the lower foreground.

In this volume, every wall and locus is recorded and accompanied by photographs, plans and sections. Of necessity, this takes up the bulk of the book. Different authors have written short chapters on the fresco and stucco decoration, mosaic floors, and ritual baths.

The building was destroyed by the Romans in 70 AD, while it was in the middle of undergoing extensive renovations with fresco wall decorations being covered over with white stucco. This consisted of broad panels in between two bands of imitation masonry, modelled on “headers and stretchers.” However, on the basis of the stucco remains of the northern wall of the Reception Room that extended to the greatest height, it was clear that there was an additional band of decoration just below the ceiling. This different style of imitation stone work could only be reconstructed on the basis of a complete panel which was found in the debris on the floor below this wall – see reconstruction drawing below.

The floor was also found littered with small fragments of decorated stucco with different patterns, which had fallen from the ceiling. Before restoration work on the Palatial Mansion began, Avigad presented me three large trays of a representative sample of ceiling fragments and asked me to try and make some sense of them.

All the pieces showed geometrical patterns in relief. It was clear that the original design must have been divided into two parts, as some fragments had an “egg-and-dart” motif and the remainder were plain. Measuring the angles in the first group – squares, octagons and triangles of 45 degrees could be discerned. The second group consisted of squares, hexagons and triangles of 30 degrees. After trying out various possibilities and taking into consideration the dimensions of the room, the number of fragments found and their representative proportions, I hit upon this ceiling design which was later partially incorporated in the restoration.

I was not part of the original team, as I was then working as architect on the Temple Mount Excavations. However, since 1978, I have spent many years working on the publication plans of all the excavation areas of the Jewish Quarter Excavations. Each of the publication plans, elevations and sections of this magnificent residence including reconstruction drawings, were prepared by me on completion of the excavation.

It should be noted that this volume, like the previous ones, is a scientific publication and of interest to archaeologists, historians and the interested lay person. Other readers may be more interested in a popular book, such as that published by Avigad, who summarised the excavation of this extraordinary mansion in his book Discovering Jerusalem^[2]. This Vol VIII is the complete excavation report, published some 30 years after the first spade went into the ground.

When the excavations were finished, a four-story high modern building, the Yeshivat Hakotel (a Jewish school for the study of the Torah and the Talmud) was built over the preserved remains. The mosaic floors were removed and, after conservation, exhibited in the Israel Museum. On completion of the building of the yeshiva, an archaeological museum, named the Herodian Quarter, or Wohl Archaeological Museum, was planned in what had become the basement of the new building. Avigad planned and directed the work for two years, from 1985-87, putting me in charge of its execution. He visited the site twice a week for a couple of hours, leaving me in charge for the rest of the time.

Although in this Volume VIII, only just over two pages are dedicated to this restoration work, it required a lot of thought as to how best to preserve the remains and how to decide where to add stones. Some of the the walls were made higher to help the visitor with spatial orientation. The restoration of the Reception Room demanded special attention as we tried to give an impression of what the beautiful stucco decoration of both the walls and ceiling would originally have looked like. This restoration work was published in book form by Avigad^[3]. I treasure my copy of this book which he gave me, inscribed with the dedication “a souvenir from a joint work”.

This large and elegant room, which measured 18 feet (6.5 m) wide and 36 feet (11 m) long, was undoubtedly the Reception Room of the large Palatial Mansion excavated in Jerusalem. The walls of the room were decorated with panels of stucco and it had an intricately designed ceiling. If this was indeed the palace of Annas the High Priest, then Jesus may have stood before him in this hall (John 18.13, Acts 4.6).

Here we see the partially restored Reception Room. The lighter color on the wall in the centre of the photo shows the added reconstruction. On the right are photographs of David Simon, an expert plasterer originally from Iran, and myself, working on the reconstruction of the stucco designs. The concrete pillar in the middle of the room is part of the support structure of the yeshiva building above. Photo: Nathaniel Ritmeyer.

This volume is a worthy addition to the previous seven volumes of the Jewish Quarter Excavations which cover the excavations of the Broad Wall, the Israelite Tower (later identified as the Middle Gate of Jer. 39:3) and other fortifications, the Byzantine Cardo and the Nea Church, and other buildings of the Second Temple period.

Avigad passed away in 1992 and therefore was unable to publish the final reports of these important excavations directed by him. We are grateful that Hillel Geva, who served as archaeologist since the beginning of the dig, has taken upon himself to publish the results in such magnificent volumes. The next volume will describe the many small finds that were discovered in the Palatial Mansion.

^[1] Avigad (1989), 76.

^[2] Avigad, N. (1980, [Hebrew]; 1983 [English]). Discovering Jerusalem (Jerusalem, Nashville).

^[3] Avigad, N. (1989), The Herodian Quarter in Jerusalem, Wohl Archaeological Museum (Jerusalem).

Jerusalem in the time of Nehemiah

A new presentation by Ritmeyer Archaeological Design

After the Temple Mount, the most popular images in our Image Library are those that depict Jerusalem in the Time of Nehemiah. Most probably, this is because so little is known about the layout of the city at that time. The archaeological data to support the record of Nehemiah, is thin on the ground or should we say, appears to be thin on the ground. In fact – if we look carefully- scattered archaeological remains of the entire circumvallation can be detected.

A reconstruction drawing of Jerusalem in the time of Nehemiah

Chapter 3 of the Book of Nehemiah gives a detailed account of the massive repair work undertaken under Nehemiah’s guidance and the groups of people that volunteered to give this city a new span of life after the terrible disaster of the Babylonian destruction.

The Sheep Gate is the first feature mentioned and also the last in Nehemiah’s list of restored wall sections and gates. This gate had not been referred to previously in the Old Testament record, whereas other features mentioned by Nehemiah, such as the Towers of Meah and Hananeel were. Archaeological evidence for the Sheep Gate can be deduced from an underground tunnel in the northern wall of the city, called in Middot, one of the books of the Mishna, the earliest code of rabbinic law, the Tadi Gate. The model below shows how this part of the city would have looked in the time of Nehemiah:

In verse 13 of the chapter, the Valley Gate is mentioned. This is an element of Nehemiah’s wall of which we also have ancient remains, with J.W. Crowfoot discovering in 1924, a stretch of wall into which was built a gate which gave access to the City of David from the west.

Its location in the western wall of the city is shown in the model:

After the completion of the work that took 52 days, two companies praising God walked over the eastern and western walls and met at the Sheep Gate. The Sheep Gate was the northern gate into the Temple Mount. It was so called as through this gate the animals for sacrifice were brought into the Temple Mount. It must have been a wonderful sight to see these two groups merging into one, united both in body and spirit to praise the Lord for his mercy and his goodness:

We have combined all our information about the layout of Jerusalem in the time of Nehemiah to create a new RAD CD – Volume 9 with 41 slides, called Jerusalem in the time of Nehemiah. This presentation is profusely illustrated with photographs of a specially designed model, reconstruction drawings and photographs of archaeological remains. We use these illustrations in a verse by verse commentary on the third chapter of the Book of Nehemiah to follow the description of the restoration of Jerusalem’s walls.

Music in the Temple

The Location of the Music Chamber in the Court of the Women

As noted in our previous post, music played an important role in the Temple services. Although the real service of praise in the Temple was done mainly by voice, this was often accompanied by the playing on musical instruments. Silver trumpets were blown by priests to accompany the sacrifices.

The Levites stood on the fifteen semi-circular steps to sing the Psalm of the day, and on other occasions, all of the fifteen Songs of the Steps, namely Psalms 120-134.

To the east of Herod’s Temple was the large Court of the Women, also known as the Treasury in the Gospels. This court was as far as women were allowed to proceed into the Temple. The Levitical Choir stands on the semi-circular steps.

The number of instrumentalists was not limited, and not confined to Levites only. Middot Arakhin 2.4 indicates that some of these were from the families of Emmaus, another name for Bethel. The musical instruments were kept in a special underground chamber that opened to the Court of Women. We can imagine that when the Levites sang on the steps, the players on harps, trumpets and lyres, stood next to them in front of the Music Chamber.

This Chamber of Music is mentioned in Middot 2:6, “And there were chambers under the Court of Israel, which opened into the Court of the Women, where the Levites played upon harps and lyres and the cymbals and all instruments of music”. I previously speculated that some remains of this music chamber may have survived the Roman destruction of 70 CE.

So, let us examine the archaeological information.

The three openings had already been noticed in the 19^th century by Conrad Schick^[1] and Warren^[2]. Warren noted that there was a hollow space behind the wall, and called it the Cell of Bostam. The name ‘Bostam’ appears to be a corruption of ‘bustan’, a group of trees and vegetation that grew here and which can be seen in some Crusader illustrations. Warren wrote that “in 1881 an attempt was made to obtain permission to open this doorway and explore the unknown cells and vaults. This was not only refused, but a large heap of earth was soon after piled in front of the closed doorway.”

Adapted from Gibson and Jacobson, fig. 74.

For interest’s sake, the structure called Cell of Kashan to the south of the Raised Platform, has a cistern. Schick^[3] noted that over this cistern (2 on the plan), the Kashan Mosque, which has long been demolished, once stood.

Below is a plan showing the location of the Court of the Women on the present day Temple Mount, followed by updated archaeological evidence we presented in our previous blog.

On this plan of the present Temple Mount, we have drawn the location of the Court of the Women and the underground Music Chamber, or Music Room.

Next, I made an accurate elevation of the ancient stones in the eastern wall of the Raised Platform, showing the ancient stones at the northeast corner, and further to the south, the visible masonry on the sides of the previously mentioned arches.

The surviving stones of the western wall of the Court of the Women have been indicated in this elevation of the eastern wall of the Raised Platform.

To check if this discovery agreed with the description in Middot, I compared the location of this triple entrance with a reconstruction drawing I had made of the Court of the Women for a model I had designed many years ago.

After superimposing the newly discovered masonry on this drawing, I was pleasantly surprised to see that the central opening was exactly where I had drawn it earlier.

Putting this information together, I was able to draw a reconstruction of the Court of the Women and the Music Chamber, or Music Room. To the left (south) of the Court of the Women was the Chamber of the House of Oil, and on the right (north) was the Chamber of the Lepers.

This drawing shows how music was performed in the Temple of Jerusalem. The Levites stood on the fifteen semi-circular steps that were in front of the Nicanor Gate, to sing Psalms. They were accompanied by the players on harps, trumpets and lyres, who stood next to them in front of the Music Room.

Behind the Levitical choir is the Nicanor Gate, and the Temple towered in the background. The musicians that stood in front of the Music Chamber have now been added to a previous drawing of the Temple Courts.

To the east of the temple stood the Court of the Women (centre front). This large court was known in the Gospels as the Treasury. The Nicanor Gate stood in front of Herod’s Temple. It gave access to the Temple Courts from the Court of the Women. To the left of the Levites are some musicians, dressed in blue, standing in front of the Music Chamber.

It must have been very impressive to hear the choir, accompanied by the musicians playing on their instruments, praising God. They sang different Psalms each day, and on the Shabbat they sang Psalm 92, “It is good to give thanks unto the Lord”.

Now, of course, we can praise God wherever we like, at home or in a congregation, but it is good to remember that acceptable worship was first instituted by King David who wrote the Psalms, which were sung in the subsequent Temples of Jerusalem.

^[1] Gibson, S. and Jacobson, D.M., Below the Temple Mount in Jerusalem (1996).

^[2] Warren, Ch. and Conder, C.R., Survey of Western Palestine, Jerusalem Volume (Vol. 2), (1884, 219).

^[3] Schick, C., Beit el Makdas oder der alte Tempelplatz zu Jerusalem; wir er jetzt ist. (1887, 86)

New discovery on the Temple Mount in Jerusalem: Gate in the eastern wall of the Dome of the Rock plaza

Could this be the remnant of the gate to the southern underground Music Room?

Here is my translation of an article written on the 4^th of October 2020 by Arnon Segal for the Makor Rishon Hebrew newspaper with additional comments and illustrations.

“In the eastern wall of the Raised Platform on which the Nikanor Gate stood during the days of the Temple, two arches were recently discovered that had been blocked at some point. Where did they lead to and who built them? And does this have anything to do with the holiday of Sukkot?”

Location of the discovery. Photo: Eli David

“The eastern wall of the Raised Platform that supports the plaza around the Dome of the Rock, is closely connected with Sukkot (the Feast of Tabernacles, or Booths). According to the Jewish tradition that places the Holy of Holies in the center of the Dome of the Rock, the Nicanor Gate stood on this wall during the days of the Temple. The staircase that descends from it today numbers 25 steps, but originally there were only 15 steps. On the feast of Beit Hashoeva (the Water Drawing ceremony) on the feast of Sukkot, when they went down to draw water from the Pool of Siloam, the Levites stood on these steps and sang the 15 songs of the degrees in the Book of Psalms.”

“This wall is oriented in an almost precise north-south line (a half-degree deviation that may be explained by a certain change in the magnetic north for thousands of years), just as the Temple itself was oriented according to precise astronomical directions. This eastern wall preserves a memory of the most significant difference in height on the ancient Temple Mount, namely that which separated the higher Court of Israel from the lower Court of the Women.”

“In recent weeks, Dr. Eli David has noticed two blocked arches on this wall, which as far as is known, are not mentioned in the research literature of the Temple Mount from the 19th century. There seemed to be a passage here that had been blocked at some time in the past. Archaeologist Dr. Leen Ritmeyer, who has been researching the Temple Mount since the 1970s, also did not know these arches, but has now speculated that they were built during the Crusader period or even earlier.”

The arrows show the two arches pointed out by Dr. Eli David

“According to Ritmeyer, the plaza round the Dome of the Rock was probably founded in the seventh or eighth century AD for the purpose of supporting the Dome of the Rock. And yet, it probably also incorporates much older components. At the northern end of this wall there are three courses of ancient construction that also extend along the northern wall of the Raised Platform. In his hypothesis it is possible that this corner served as an end to the soreg which marked the area beyond which foreigners and the unclean were forbidden to enter.”

Reconstruction drawing of the soreg with the Temple Warning inscription. Middot 2.3 describes how, inside the Temple Mount was “a latticed railing (soreg) ten handbreadths high.” Josephus refers to this feature, describing it as “a stone balustrade with an inscription prohibiting the entrance of a foreigner under threat of the penalty of death (Ant. 15.417, also War 5.193-194; 6.125). In Ephesians 2.14, it was probably to this very barrier that Paul was referring when he writes that Jesus had “broken down the middle wall of partition”. © Ritmeyer Archaeological Design

Three ancient stone courses at the east side of the NE corner of the Raised Platform. Photo: Leen Ritmeyer

Ancient stone courses and offset at the north side of the NE corner of the raised Platform. Photo: Leen Ritmeyer

“At the southern end of the eastern wall, there are indications of the existence of additional underground spaces that have been sealed off. In the mid-19th century, the British expedition officer Charles Warren asked permission to explore this space, but the very next day a pile of earth was placed in front of the opening that prevented it, a pile that was later replaced by a stone blocking wall. According to Ritmeyer’s calculations, this was the place of the Chamber of Hewn Stone where the Sanhedrin used to hold court sessions.”

This blocking at the SE corner of the Raised Platform hides the entrance to an underground chamber, that Charles Warren was prevented from entering. Photo: Leen Ritmeyer

“And this wall has a few more things to tell us. At one point in the wall, north of the stairway, two large stones remain at the base of the wall, which Ritmeyer speculates may have been from the time of Herod and may have served as part of the retaining wall of the Court of the Women.”

Two very ancient large stones on which the smaller stones of the east wall of the Raised Platform were built. Photo: Leen Ritmeyer

“Going back to the blocked arch openings located by Dr. Eli David, Ritmeyer points out that on the sides of these two arches two large stones can be seen that seem to belong to a triple opening. According to Ritmeyer, it is difficult to date the exact style of construction, but in his opinion, these are stones are similar to the ancient stone courses mentioned before, which are located at the northeast corner of the eastern wall. In his estimation, the opening may be from the Crusader period or even earlier. “These architectural remains show that there is still much to explore and discover,” Ritmeyer admits, “not only around the outer walls of the Herodian Temple Mount, but also on the Temple Mount plaza itself.”

The white lines indicate where a triple entrance was located, possibly leading into the Music Room. © Leen Ritmeyer

“Even if Dr. Ritmeyer assumes that the arches are from the Crusader period, they may have served as an opening to a much earlier underground space. When was it created and by whom?”

Locating the underground Music Rooms on Herod’s Temple Mount. This is a plan of the Temple and its surrounding courts and buildings.
The Sanctuary itself consisted of three courts, each higher than the former, and beyond them, the Temple with the Holy and Most Holy Places. One could enter via the Eastern Gate, first into the Court of the Women or Treasury. A southern and a northern gate also led into the Court of the Women.
From the Court of the Women, men could advance up the 15 semi-circular steps and through the Nicanor Gate into the Court of Israel and then into the Court of the Priests. The underground Music Rooms were located at either side of the Nicanor Gate. Three gate buildings were located on both the north and south side of the Temple. The Chamber of the Hearth was in the northwest corner of the temple Court and the Chamber of Hewn Stone in the southeast. © Leen Ritmeyer

“It is not clear, but perhaps one should recall the words of Tractate Middot (2:6) regarding this very place, which indicates that this is the place where the musical instruments of the Temple were stored:

“And there were chambers under the Court of Israel, which opened to the Court of the Women, where the Levites played upon harps and lyres and the cymbals and all instruments of music”. At the Simchat Beit Hashoeva (the rejoicing of the Water Ceremony) that took place on the holiday nights, they played loudly.”

A view from the Court of the Women looking to the Nicanor gate and the Temple. The location of the Music Rooms is indicated by arrows. © Leen Ritmeyer

I find it very exciting to speculate that some remains of the entrance to this Music Room may have survived the Roman destruction of 70 AD. It is of special importance that this discovery was made during the days of Sukkot.

Music played an important role during the Feasts of Israel, especially during the present days of Sukkot. Trumpets were used to announce Rosh Hashanah, the beginning of the civil New Year, which fell on the 19th of August 2020. On the 10^th of Tishrei, which was the 29^th of September, was Yom Kippur, the Day of Atonement. During a Jubilee year, the trumpet of the Jubilee was sounded on the tenth day of the seventh month; on the Day of Atonement you shall make the trumpet to sound throughout all your land. And you shall consecrate the fiftieth year, and proclaim liberty throughout all the land to all its inhabitants. It shall be a Jubilee for you; and each of you shall return to his possession, and each of you shall return to his family (Leviticus 25:9,10).

One of the most important instrument in the Temple service was the trumpet. The trumpets were made of silver, as stipulated in Numbers 10.2. According to the Mishnah, “They blew never less than twenty-one blasts in the Temple (in a day) and never more than forty-eight.” The first three blasts were made when the gates of the Temple were opened, nine during the morning sacrifice and nine at the evening sacrifice. The Sabbath was also announced with three blasts of the trumpet and again three more blasts were made when the Sabbath had actually begun. © Ritmeyer Archaeological Design

Every morning of Sukkot at daybreak, a group of Levites and priests went down to the Siloam Pool, which is located south of the Temple Mount, and drew three log (a Talmudic liquid measurement) of fresh water to be poured on the altar after the daily morning sacrifice. Their arrival at the Temple with the water was accompanied by trumpet blasts. (For Shabbat, the water was collected before the onset of Shabbat and stored in a golden vessel in the Temple.) It says in the Talmud: He who has not seen the Water-Drawing Celebration has never seen joy in his life.

Jesus used this act to draw the attention of the spectators to this ceremony when he said in John 7.37–39: “If any man thirst, let him come unto me, and drink. He that believeth on me, as the scripture hath said, out of his belly shall flow rivers of living water.”

The Roman destruction of Jerusalem and the Temple in 70 AD

Yesterday was Tisha be’av, the Hebrew date on which the Jewish people remember the destruction of both the First and Second Temples.

In honour of this occasion, Megalim, The City of David Institute for Jerusalem Studies, showed a dramatized recreation (2019) of the Roman destruction of Jerusalem in 70 AD, called:

A Temple in Flames The Final Battle for Jerusalem and the Destruction of the Second Temple. Here is the link to the YouTube video: https://www.youtube.com/watch?v=y5vuoX09ryw

HT: Jack Sasson

“Here, in this carved-out place, stood the Ark of the Covenant”

So reads the headline in an Israeli newspaper reporting on an interview about the Temple Mount.

On the 11th of this month, I guided a group of Israeli visitors around the Temple Mount. All of them were highly interested in the Temple Mount for various reasons, some nationalistic and others religious. At the end of the tour, we had lunch together and a journalist interviewed me. His full-page report, with the above title, was published in the Hebrew Makor Rishon newspaper.

You can download the translation of this article with this link:

translation-1 Download

Their main interest was the location of the Temple and the Ark of the Covenant. And as we couldn’t enter the Dome of the Rock, I showed them an old photograph showing the indentation that King Solomon made for the Ark of the Covenant (1 Kings 8.21)

The location where the Ark of the Covenant stood.

They were also very interested in the underground spaces beneath the mount and published in the newspaper a photograph of a tunnel that was found below the Triple Gate passageway. It was such a peaceful time in the 1970’s, that we had free access to these mysterious places. It was a real privilege to have seen, measured and photographed these spaces, something that would not be possible at present.

In the tunnel below the Triple Gate undeground passageway in 1974. The water that overflowed from an underground cistern was channelled out through this tunnel.

During that time, other tunnels were found running deep below the Double Gate. All these tunnels were closed off after thorough investigation.

This tunnel led from in front of the monumental stairway to the Double Gate to deep below the underground passageway of this gate.

In between the Triple Gate and the southeast corner of the Temple Mount, below the Single Gate that dates from the Crusader period, is another secret tunnel that runs below Solomon’s Stables, that has been converted to a mosque, the El-Marwani Mosque. This tunnel reached to the centre of the Royal Stoa above and may have been used by the workmen who built this edifice.

The entrance to another secret tunnel that ran below Solomon’s Stables. This opening is now blocked up.

Inside the tunnel below Solomon’s Stables

Afterwards we talked about the significance of the Temple Mount for Israeli and non-Jewish people alike. For one of the group, the Temple Mount was of nationalistic importance. He had come from Persia, but the reason was to get to know Jerusalem and the Temple Mount, without which, according to him, Israel had no significance.

Another religious Jew said that he couldn’t keep the Mosaic Law without the Temple Mount. I had to agree and said:

“If I were a Jew, I would like to sacrifice the Passover sacrifice on the Temple Mount. Jerusalem has no meaning without the Temple Mount.
When I arrived in Israel in 1969, we lived in Gat Rimmon and rented a house from Russian immigrants who had lived in Israel for decades but never visited Jerusalem. I found that hard to understand. Why did you return here if not for Jerusalem and the Temple Mount?”

They wanted to know what, apart from its archaeological importance, the Temple Mount meant for me as a Christian. I answered that Mount Moriah was the place where Abraham was called to sacrifice his only-begotten son Isaac, which, as explained in the Letter to the Hebrews 11:19, was an example of the sacrifice and resurrection of Jesus Christ.

Reading Between the Walls

Interview with Eve Harow on her Rejuvenation program

Last week, Kathleen and I were in Jerusalem for the Shiloh Excavations which are directed by Dr. Scott Stripling. On one of the afternoons, Eve Harow of the Rejuvenation programme for The Land of Israel Network interviewed me.

She wrote:

Leen Ritmeyer’s extraordinary journey from Holland to the Temple Mount- and beyond -has defined his life and contributed immensely to ours. He speaks with Eve about the field of Biblical Architecture; how the study of ancient structures in the Land of Israel and Near East enhances our comprehension of history, archeology, the Bible and mankind’s connection to God. He has made an indelible mark in particular on our understanding of Temple Mount transformations thru the millennia and continues to interpret and redefine discoveries both recent and past. This Dutchman is still flying. Listen and learn.

If you have the patience, you can listen to this hour-long interview here:

The Land of Israel Network: http://thelandofisrael.com/reading-between-the-walls/

SoundCloud:https://soundcloud.com/thelandofisrael/rejuvenation-june-16-2019

YouTube: https://www.youtube.com/watch?v=rZ15M_SvI74&feature=youtu.be

As of today, the 16th of June, you can also follow the interview in the Israeli newspaper: Arutz Sheva, or Israel National News.

The Golden Gate of the Temple Mount in Jerusalem

The interior of the Golden Gate in the 1970’s

The Golden Gate is very much in the news today, as it has become a point of conflict between Jews and Muslims, or Palestinians and Israelis.

But what do we know about this gate?

The Golden Gate, around which swirl various traditions, is the most intriguing of all the gates of the Temple Mount. In Jewish tradition, it is through this gate (Sha’ar haRachamim—Gate of Mercy), blocked since the ninth century, that Messiah will enter at the end of days, led in by the prophet Elijah. This is based on the prophecy of Ezekiel 44.1–3. Christians believe that Christ made his triumphal entry into Jerusalem (recorded in all four of the gospels) through this gate on the Sunday before his crucifixion (Palm Sunday). By riding on a donkey, he fulfilled the messianic prophecy recorded in Zechariah 9.9. Muslims refer to it as the Gate of Eternity (Bab-al-Dahariyeh) and believe it will be an important part of the last judgment of mankind. The Muslim cemetery along the Eastern Wall is thought to have been placed there in the belief that the forerunner of Messiah, Elijah, being of a priestly family, could not pass through the Golden Gate, thus preventing the coming of the Messiah.

Some claim that the Golden Gate was built by the Byzantine emperor Heraclius after the expulsion of the Sassanians from Jerusalem. However, the absence in the architectural decorations of any Christian symbols, such as a cross makes that difficult to believe. There are actually four distinct historical phases represented in the architecture of this gate: Turkish, Umayyad, Herodian and First Temple period. In the 1970’s I was privileged to spend one week inside this gate, measuring and recording its plan and drawing accurate elevations of all the interior surfaces.

Standing in the middle of the Golden Gate interior. Two monolithic massive gateposts are visible in the far corners.

The Golden Gate’s outer façade is composed of two blocked-up gateways adorned with intricately carved relief arches. The decoration of the arches to the front and back of the gate are identical to the applied arches of the Double Gate which date from the Early Islamic period. The gate appears therefore to have been rebuilt in the Umayyad period, on the foundations of an earlier gate.

The exterior of the Golden Gate in the Eastern Wall of the Temple Mount in Jerusalem. Photo: Leen Ritmeyer

View of the Golden Gate from inside the Temple Mount. Photo: Nathaniel Ritmeyer

The remains of two massive monolithic gateposts are preserved inside this gate.

Section through the Golden Gate looking north, showing the massive monolithic gatepost. © Leen Ritmeyer

The gateposts are set in the same line as the Eastern Wall of the Temple Mount and line up with the massive masonry that can be seen on either side of the Golden Gate.

Elevation of the Golden Gate showing the location of the two monolithic gateposts in relation to the masonry of the First Temple period (Iron Age) in the Eastern Wall of the Temple `Mount. © Leen Ritmeyer

The gateposts and the two masonry sections appear therefore to be part of the same construction. The top of the southern gatepost is level with the top of the ancient masonry that can be seen south of the Golden Gate. The northern gatepost is one stone course higher and is located only one stone course below the surface of the Temple Mount. This means that the top of the original lintel would have been identical with the present-day level of the Temple Mount. The two gateposts belong to a gate that dates from the First Temple period and is most likely the Shushan Gate, mentioned in Mishnah Middot 1.3 as the only gate in the Eastern Wall.

This composite drawing shows the four historical phases of the Golden Gate. © Leen Ritmeyer

The gate most probably was given this name by builders who had returned from exile in Babylon and for whom the Palace of Shushan lived on in their memories. However, if so there would have been a tradition of an eastern gate in this location from the time of the construction of the original Eastern Wall. It seems reasonable to suggest that the central section of the Eastern Wall dates from the First Temple period, in particular to the time of King Hezekiah. This square mount was extended south in the Hasmonean period, while both the southern and northern additions were made by King Herod the Great.

In 1969, the remains of an underground arch were discovered inside a grave in front of the Golden Gate. It was suggested that this may have been a pre-Herodian gateway. However, as the arch stones appear to be Herodian, it is more reasonable to suggest that this arch was part of a Herodian staircase leading up to the original gate. It is fascinating to contemplate that the stairway may still be intact under this gate, although hidden from sight by the Muslim Cemetery.

This model shows the Shushan Gate in the Eastern Wall of the Temple Mount and the stairway leading down to the Miphkad Gate. © Leen Ritmeyer

We do know that the remains of an ancient city wall lie under the present-day path that runs through the Muslim cemetery, which was discovered by Warren in the 1860s. The above-mentioned arched stairway led down through a gate in this city wall, the so-called Miphkad (Muster, or Inspection) Gate mentioned in Nehemiah 3.31, apparently still in use in the Second Temple period. During the latter period, it was through these gates that the Red Heifer was led out from the Temple Mount to the Mount of Olives (Mishnah, Parah). On the Day of Atonement, the scapegoat was led by the same route into the wilderness (Mishnah, Yoma).

It is therefore obvious that the Golden Gate is a very important historical building for the Jewish people, as reported by Arnon Segal of the Hebrew newspaper Makor Rishon Here is a translation of the article that refers to my research:

HT: Dr. Eli David

3D model: Solomon’s Temple Explained

Just over two years ago, I wrote a post, reporting on a 3D model of Solomon’s Temple, created by Daniel Smith. Last week he told me that he had just released a new video, which is called “Solomon’s Temple Explained”. He is happy for me to share it with you.

Solomon’s Temple stood in Jerusalem for almost 400 years. It was the crown jewel of Jerusalem, and the center of worship to the Lord. Understanding the significance of its location, history, and design can greatly add to one’s reverence for one of the most holy places in the world,
Special thanks to: Brian Olson for the beautiful 3D Solomon Temple renders. Michael Lyon for his design elements and feedback of the Temple model. Leen Ritmeyer for his excellent books and personal help. Cantorum Chamber Choir for allowing me to use their music.

This excellent new video begins by explaining the topography of Jerusalem and how the City of Solomon’s location was determined by the surrounding mountains and valleys. The topographical and biblical importance of Mount Moriah is explained.

The expansion of the City of Jerusalem in the time Solomon.

The video includes a section on the Tabernacle which served as a blueprint for Solomon’s Temple. After showing that Solomon built the Temple on Mount Moriah where David previously had purchased the threshingfloor of Araunah the Jebusite, he goes back to the Book of Genesis and explains the symbology of the events that took place in the Garden of Eden.

The design of Solomon’s Temple was based on the Tabernacle, shown here in the foreground.

The video then shows that Solomon’s Temple replicated the same three-level progression as found in the Garden of Eden and the Tabernacle. The ultimate aim of its design was to show how people could return to God. The video ends with the Sacrifice of Christ.

3D model of Solomon's Temple. — 3D model of Solomon’s Temple.

A Seal Impression of Isaiah the Prophet

To commemorate the retirement of Hershel Shanks from the Biblical Archaeology Society which he founded in 1975, Eilat Mazar published an article in the latest issue of Biblical Archaeology Review about a bulla (seal impression) that was found in the Ophel area. The title of the article is “Is This the Prophet Isaiah’s Signature?” The seal was discovered back in 2009, but only came to light after cleaning by wet-sifting.

This is the seal with the Isaiah inscription. Clicking on the image shows a video explaining the importance of this find. Credit: Ouria Tadmor/© Eilat Mazar.

As expected, this find has been widely published here, here, here and in many other places. Here is an excerpt from the latter report:

The clay impression is inscribed with letters and what appears to be a grazing doe, “a motif of blessing and protection found in Judah, particularly in Jerusalem,” according to the BAR article.
The oval-shaped bulla, however, is not intact. On its legible portion, there is an inscription with First Temple Hebrew letters that seem to spell out the name l’Yesha’yah[u] (Belonging to Isaiah). On a line below, there is the partial word nvy, which presumably spells out “prophet.”
“Because the bulla has been slightly damaged at end of the word nvy, it is not known if it originally ended with the Hebrew letter aleph, which would have resulted in the Hebrew word for ‘prophet’ and would have definitively identified the seal as the signature of the prophet Isaiah,” Mazar said.

Drawing by Reut Livyatan Ben-Arie of the Isaiah Bulla, a 2,700-year-old clay seal impression which potentially belonged to the biblical prophet Isaiah. (Illustration: Reut Livyatan Ben-Arie/© Eilat Mazar; Photo by Ouria Tadmor/© Eilat Mazar)

The above drawing by Reut shows that there is space on the bottom register for the missing aleph. Reut is well known to us from the Shiloh Excavations directed by Scott Stripling.

Although the identification is not 100% watertight, it is unlikely to have belonged to anybody but the Prophet Isaiah who supported King Hezekiah through difficult times.

The seal was found in trash that had been dumped outside the city wall of the time. The seal of King Hezekiah on which we commented in a previous post was found nearby.

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